@mastersthesis {768, title = {Points de rupture suivi de Prendre soin}, volume = {D{\'e}partement d{\textquoteright}{\'e}tudes litt{\'e}raires}, year = {2017}, school = {Universit{\'e} du Qu{\'e}bec {\`a} Montr{\'e}al}, type = {M{\'e}moire}, address = {Montr{\'e}al}, abstract = {

Ce m{\'e}moire en cr{\'e}ation est constitu{\'e} de deux parties. Dans la premi{\`e}re, intitul{\'e}e Points de rupture, les po{\`e}mes se pr{\'e}sentent comme une succession d\&$\#$39;instants, sous la forme de courts fragments en prose ne d{\'e}passant pas une demi-page. Ils portent sur les instants quotidiens de fragilit{\'e} et de vuln{\'e}rabilit{\'e} durant lesquels le sujet se trouve seul : {\`a} la fois totalement solitaire et profond{\'e}ment perm{\'e}able aux d{\'e}tails du monde environnant. Qu\&$\#$39;ils chuchotent, crient, hurlent ou se taisent, les po{\`e}mes se succ{\`e}dent au gr{\'e} d\&$\#$39;une conversation imagin{\'e}e qui s\&$\#$39;interrompt, qui bifurque, mais qui ne s\&$\#$39;arr{\^e}te pas. Cette conversation rappelle ou cherche une pr{\'e}sence, et la pens{\'e}e qui la soutient et qui l\&$\#$39;{\'e}claire est une pens{\'e}e de l\&$\#$39;accompagnement : elle prend tant{\^o}t la forme d\&$\#$39;une adresse directe {\`a} un {\^e}tre absent, et tant{\^o}t celle d\&$\#$39;une d{\'e}construction de l\&$\#$39;id{\'e}e m{\^e}me de pr{\'e}sence. Dans tous les cas l\&$\#$39;adresse instaure, au fil du recueil, une pr{\'e}sence-t{\'e}moin qui accompagne la narratrice dans son processus d\&$\#$39;ouverture aux choses et aux {\^e}tres. De po{\`e}me en po{\`e}me, se forme un r{\'e}seau de petites boucles qui partent de la m{\'e}moire et du souvenir, glissent vers le monde et le dehors, puis retournent au texte en train de s\&$\#$39;{\'e}crire. {\`A} l\&$\#$39;origine de l\&$\#$39;essai r{\'e}flexif, intitul{\'e} Prendre soin, une question : comment parler de beaut{\'e}, d\&$\#$39;amour, de violence, et du d{\'e}semparement qu\&$\#$39;ils provoquent en moi? De l{\`a}, une r{\'e}flexion sur la tension entre le proche et le lointain tant dans le rapport au monde, tout particuli{\`e}rement {\`a} la nature, que dans les relations interpersonnelles, puisque dans les deux cas il s\&$\#$39;agit d\&$\#$39;aller {\`a} la rencontre, de se laisser toucher, sans tenter de poss{\'e}der. Cette tension se retrouve dans tout espace, dont celui du quotidien : un espace chaque jour parcouru, en changement perp{\'e}tuel, mais n{\'e}anmoins constitu{\'e} de pleins et de vides \– r{\'e}p{\'e}titions et trou{\'e}es, recommencements et lignes de fuite, r{\'e}sistances que l\&$\#$39;{\'e}criture a pour fonction d\&$\#$39;approcher et de mettre au jour. C\&$\#$39;est la rupture, en tant que r{\'e}v{\'e}lateur, qui contribue {\`a} rendre apparents les tensions, les forces et les pouvoirs {\`a} l\&$\#$39;{\oe}uvre dans tout ce qui constitue l\&$\#$39;espace du quotidien. Cet essai poursuit donc le travail des po{\`e}mes sur l\&$\#$39;id{\'e}e de pr{\'e}sence et le d{\'e}sir de partage \– partage du regard, partage de l\&$\#$39;exp{\'e}rience, partage de la pens{\'e}e.

}, keywords = {beaut{\'e}, braconnage, caresse, intimit{\'e}, lointain, paysage, regard, r{\'e}sistance, violence}, url = {https://archipel.uqam.ca/10431/1/M15055.pdf}, author = {Maude Authier-Pigeon}, editor = {Ren{\'e} Lapierre} } @mastersthesis {460, title = {Foliation suivi de Pr{\'e}sent de la voix}, volume = {D{\'e}partement d{\textquoteright}{\'e}tudes litt{\'e}raires}, year = {2016}, pages = {129}, school = {Universit{\'e} du Qu{\'e}bec {\`a} Montr{\'e}al}, type = {M{\'e}moire}, address = {Montr{\'e}al}, keywords = {$\#$agressionsnond{\'e}nonc{\'e}es, col{\`e}re, f{\'e}minisme, lyrisme, po{\'e}sie, processus d{\textquoteright}{\'e}criture, sexualit{\'e}, violences, voix}, url = {http://www.archipel.uqam.ca/8639/1/M14293.pdf}, author = {M{\'e}lanie Landreville}, editor = {Ren{\'e} Lapierre} } @mastersthesis {462, title = {{\`A} propos du ciel, tu dis suivi de Cartographie des vivants}, volume = {D{\'e}partement d{\textquoteright}{\'e}tudes litt{\'e}raires}, year = {2015}, school = {Universit{\'e} du Qu{\'e}bec {\`a} Montr{\'e}al}, type = {M{\'e}moire}, address = {Montr{\'e}al}, keywords = {amour, attention, don, filiation, for{\^e}t, m{\'e}moires, m{\`e}re, miracles, organicit{\'e}, silence, voix}, author = {Sarah Brunet}, editor = {Ren{\'e} Lapierre} } @book {167, title = {La carte des feux}, year = {2015}, pages = {216}, publisher = {Les Herbes rouges}, organization = {Les Herbes rouges}, address = {Montr{\'e}al}, author = {Ren{\'e} Lapierre} } @mastersthesis {461, title = {Outardes suivi de La fosse commune}, volume = {D{\'e}partement d{\textquoteright}{\'e}tudes litt{\'e}raires}, year = {2015}, pages = {162}, school = {Universit{\'e} du Qu{\'e}bec {\`a} Montr{\'e}al}, type = {M{\'e}moire}, address = {Montr{\'e}al}, keywords = {{\'e}criture documentaire, f{\'e}minisme, filiation, gender, habiter, identit{\'e}s sexuales, m{\'e}moire, Nord, responsabilit{\'e}, territoire}, url = {http://www.archipel.uqam.ca/8451/1/M14160.pdf}, author = {Catherine C{\^o}t{\'e}}, editor = {Ren{\'e} Lapierre} } @mastersthesis {463, title = {L{\`a} o{\`u} il y a des maisons suivi de Voies de faits}, volume = {D{\'e}partement d{\textquoteright}{\'e}tudes litt{\'e}raires}, year = {2014}, pages = {170}, school = {Universit{\'e} du Qu{\'e}bec {\`a} Montr{\'e}al}, type = {M{\'e}moire}, address = {Montr{\'e}al}, keywords = {amour, angoisse, banlieue, cr{\'e}ation litt{\'e}raire, espace p{\'e}riurbain, {\'e}thique, individu, modernit{\'e}, relation individu-soci{\'e}t{\'e}, relation interpersonnelle}, author = {Genevi{\`e}ve Nugent}, editor = {Ren{\'e} Lapierre} } @mastersthesis {827, title = {Le fil suivi de Journal}, volume = {D{\'e}partement d{\textquoteright}{\'e}tudes litt{\'e}raires}, year = {2014}, school = {Universit{\'e} du Qu{\'e}bec {\`a} Montr{\'e}al}, type = {M{\'e}moire}, address = {Montr{\'e}al}, keywords = {art d{\textquoteright}{\'e}crire, cr{\'e}ation litt{\'e}raire, discipline, escrime, po{\'e}sie}, author = {Pierre-Philippe Gouin}, editor = {Ren{\'e} Lapierre} } @mastersthesis {190, title = {Les arrangements pr{\'e}caires suivi de Gagner du terrain}, volume = {D{\'e}partement d{\textquoteright}{\'e}tudes litt{\'e}raires}, year = {2014}, pages = {123}, school = {Universit{\'e} du Qu{\'e}bec {\`a} Montr{\'e}al}, type = {M{\'e}moire}, address = {Montr{\'e}al}, keywords = {adolescence, ambivalence, corps, langage, po{\'e}sie, psychanalyse, r{\'e}sistance, voix}, url = {http://www.archipel.uqam.ca/6775/1/M13571.pdf}, author = {Laura Fredducci}, editor = {Ren{\'e} Lapierre} } @mastersthesis {191, title = {R{\'e}pertoire des villes disparues suivi de Langues discr{\`e}tes}, volume = {D{\'e}partement d{\textquoteright}{\'e}tudes litt{\'e}raires}, year = {2014}, pages = {168}, school = {Universit{\'e} du Qu{\'e}bec {\`a} Montr{\'e}al}, type = {M{\'e}moire}, address = {Montr{\'e}al}, keywords = {discr{\'e}tion, disparition, {\'e}chec, inconfort, mines, mort, silence, territoires, villes fant{\^o}mes}, url = {http://www.archipel.uqam.ca/6461/1/M13472.pdf}, author = {Laurence Olivier}, editor = {Ren{\'e} Lapierre} } @mastersthesis {192, title = {{\'E}coutez-moi suivi de {\c C}a reste entre nous}, volume = {D{\'e}partement d{\textquoteright}{\'e}tudes litt{\'e}raires}, year = {2012}, pages = {144}, school = {Universit{\'e} du Qu{\'e}bec {\`a} Montr{\'e}al}, type = {M{\'e}moire}, address = {Montr{\'e}al}, keywords = {corps, cr{\'e}ation, intime, pluralit{\'e}, polyphonie, seuil, voix}, url = {http://www.archipel.uqam.ca/5061/1/M12526.pdf}, author = {Val{\'e}rie Roberge}, editor = {Ren{\'e} Lapierre} } @mastersthesis {851, title = {Notes et propositions sur le verset fran{\c c}ais}, volume = {D{\'e}partement d{\textquoteright}{\'e}tudes litt{\'e}raires}, year = {2012}, school = {Universit{\'e} du Qu{\'e}bec {\`a} Montr{\'e}al}, type = {M{\'e}moire}, address = {Montr{\'e}al}, keywords = {bible, genre litt{\'e}raire, modernit{\'e}, palimpseste, po{\'e}sie, th{\'e}orie litt{\'e}raire, verset}, url = {https://archipel.uqam.ca/5118/1/M12495.pdf}, author = {Alexandre Pich{\'e}}, editor = {Ren{\'e} Lapierre} } @mastersthesis {825, title = {Portrait d{\textquoteright}homme suivi de Cet homme bl{\^e}me qu{\textquoteright}on porte en nous quand on est de la ville}, volume = {D{\'e}partement d{\textquoteright}{\'e}tudes litt{\'e}raires}, year = {2012}, school = {Universit{\'e} du Qu{\'e}bec {\`a} Montr{\'e}al}, type = {M{\'e}moire}, address = {Montr{\'e}al}, abstract = {

Ce m{\'e}moire s\&$\#$39;articule autour de la question suivante : comment le po{\`e}me peut-il proc{\'e}der {\`a} l\&$\#$39;{\'e}laboration d\&$\#$39;un langage dont le souffle, la voix et la pr{\'e}sence dans l\&$\#$39;espace non seulement s\&$\#$39;ancrent dans le corps, mais se construisent {\`a} partir des arts du corps? Tout au long de mon travail d\&$\#$39;{\'e}criture, j\&$\#$39;approche cette question en la consid{\'e}rant au moyen de la pratique et de la th{\'e}orie du mime corporel d\&$\#$39;{\'E}tienne Decroux. En premi{\`e}re partie du m{\'e}moire, le recueil Portrait d\&$\#$39;homme met en sc{\`e}ne une voix f{\'e}minine. Dans un contexte urbain, celle-ci {\'e}labore le portrait d\&$\#$39;un homme bless{\'e}, d{\'e}fait; sujet plus ou moins r{\'e}duit au silence, et plus ou moins aval{\'e} par la ville qui l\&$\#$39;englobe. C\&$\#$39;est pourtant sur fond de mutisme que se dessine la relation de la femme {\`a} l\&$\#$39;homme. Ce travail d\&$\#$39;approche se lie pour elle et pour lui {\`a} l\&$\#$39;exp{\'e}rience de la solitude devant l\&$\#$39;autre, exp{\'e}rience d\&$\#$39;o{\`u} surgit la n{\'e}cessit{\'e} de la voix. Le mime, dans ce contexte, figure pour les sujets la possibilit{\'e} de r{\'e}apprendre {\`a} s\&$\#$39;exprimer {\`a} partir de leur corps, tant en relation avec le corps de l\&$\#$39;autre qu\&$\#$39;avec la pluralit{\'e} des corps que chacun porte en lui-m{\^e}me. De po{\`e}me en po{\`e}me, Portrait d\&$\#$39;homme fait ainsi le r{\'e}cit de ce qui, par la souffrance et par l\&$\#$39;amour (d{\'e}voil{\'e}s dans leur clart{\'e} au travers du mime), rapproche les sujets {\`a} la fois de ce qui les constitue et les diff{\'e}rencie. L\&$\#$39;essai qui suit, intitul{\'e} Cet homme bl{\^e}me qu\&$\#$39;on porte en nous quand on est de la ville, vise {\`a} pr{\'e}senter la trame de fond de mon {\'e}criture et la condition de la voix dans des contextes urbains satur{\'e}s par la technologie, o{\`u} le corps subit la pression des non-lieux reli{\'e}s aux habitudes de la soci{\'e}t{\'e} de consommation. Je m\&$\#$39;y int{\'e}resse avant tout {\`a} la perte de soi, et {\`a} la r{\'e}appropriation de soi par le double biais d\&$\#$39;une appartenance {\`a} la collectivit{\'e} et d\&$\#$39;une {\'e}thique du don, en prenant {\`a} t{\'e}moin des {\oe}uvres telles l\&$\#$39;essai de Fran{\c c}ois Bon sur le travail de Edward Hopper, les livres de Kathy Acker, le travail de l\&$\#$39;{\'E}cole de mime de Montr{\'e}al et l\&$\#$39;h{\'e}ritage d\&$\#$39;{\'E}tienne Decroux. {\`A} l\&$\#$39;int{\'e}rieur de cette approche, le po{\`e}me et le mime d{\'e}voilent un corps marqu{\'e} par sa fragilit{\'e} et par l\&$\#$39;isolement, l\&$\#$39;absence {\`a} soi-m{\^e}me, le retranchement ou l\&$\#$39;effacement auxquels sans cesse on le reconduit. La reconstruction de la parole par l\&$\#$39;{\'e}criture - recherche de la voix, de sa justesse et de sa subjectivit{\'e} - conduit {\`a} reconna{\^\i}tre pourtant, au sein m{\^e}me de ces conditions difficiles, un lieu d\&$\#$39;accueil pour le vivant.

Source : Virtuose

}, keywords = {corps humain, cr{\'e}ation litt{\'e}raire, mutisme, pantomime, parole, silence, subjectivit{\'e}}, url = {https://archipel.uqam.ca/5212/1/M12644.pdf}, author = {Gabrielle Giasson-Dulude}, editor = {Ren{\'e} Lapierre} } @book {168, title = {Pour les d{\'e}sesp{\'e}r{\'e}s seulement}, year = {2012}, pages = {141}, publisher = {Les Herbes rouges}, organization = {Les Herbes rouges}, address = {Montr{\'e}al}, author = {Ren{\'e} Lapierre} } @book {170, title = {Aim{\'e}e soit la honte}, year = {2011}, pages = {97}, publisher = {Les Herbes rouges}, organization = {Les Herbes rouges}, address = {Montr{\'e}al}, author = {Ren{\'e} Lapierre} } @mastersthesis {193, title = {Antigone et H{\'e}mon suivi de D{\'e}finition de l{\textquoteright}imitation comme solitude}, volume = {D{\'e}partement d{\textquoteright}{\'e}tudes litt{\'e}raires}, year = {2011}, pages = {152}, school = {Universit{\'e} du Qu{\'e}bec {\`a} Montr{\'e}al}, type = {M{\'e}moire}, address = {Montr{\'e}al}, keywords = {Antigone, H{\'e}mon, imitation, mim{\'e}sis, r{\'e}{\'e}criture, solitude, th{\'e}orie de la cr{\'e}ation litt{\'e}raire, trag{\'e}die}, url = {http://www.archipel.uqam.ca/4473/1/M12350.pdf}, author = {Jeanne Allard}, editor = {Ren{\'e} Lapierre} } @mastersthesis {195, title = {Chien de fusil suivi de Noyau dur et Ouvrir son c{\oe}ur}, volume = {D{\'e}partement d{\textquoteright}{\'e}tudes litt{\'e}raires}, year = {2011}, pages = {124}, school = {Universit{\'e} du Qu{\'e}bec {\`a} Montr{\'e}al}, type = {M{\'e}moire}, address = {Montr{\'e}al}, keywords = {cr{\'e}ation litt{\'e}raire, enfant, maternit{\'e}, peur, po{\`e}me, postmodernit{\'e}, ruralit{\'e}, urbanit{\'e}, vuln{\'e}rabilit{\'e}}, url = {http://www.archipel.uqam.ca/4463/1/M12277.pdf}, author = {Alexie Morin}, editor = {Ren{\'e} Lapierre} } @mastersthesis {194, title = {Des corps et des continents suivi de Incitation {\`a} la r{\'e}volte}, volume = {D{\'e}partement d{\textquoteright}{\'e}tudes litt{\'e}raires}, year = {2011}, pages = {101}, school = {Universit{\'e} du Qu{\'e}bec {\`a} Montr{\'e}al}, type = {M{\'e}moire}, address = {Montr{\'e}al}, keywords = {corps, culture, ensauvagement, espoire, {\'e}thique, honte, parole, po{\'e}sie, r{\'e}volte, subjectivit{\'e}}, url = {http://www.archipel.uqam.ca/5104/1/M12581.pdf}, author = {Fran{\c c}ois Guerrette}, editor = {Ren{\'e} Lapierre} } @mastersthesis {820, title = {Il {\'e}tait encore possible de ne pas parler suivi de Respirations}, volume = {D{\'e}partement d{\textquoteright}{\'e}tudes litt{\'e}raires}, year = {2011}, school = {Universit{\'e} du Qu{\'e}bec {\`a} Montr{\'e}al}, type = {M{\'e}moire}, address = {Montr{\'e}al}, keywords = {album de photographies, cr{\'e}ation litt{\'e}raire, famille, g{\'e}n{\'e}alogie, m{\'e}moire, po{\`e}me en prose, po{\'e}sie}, url = {https://archipel.uqam.ca/4830/1/M12424.pdf}, author = {Sandrine Galand}, editor = {Ren{\'e} Lapierre} } @mastersthesis {196, title = {Le pont de l{\textquoteright}{\^\i}le suivi de Ce qui trompe ce qui fascine}, volume = {D{\'e}partement d{\textquoteright}{\'e}tudes litt{\'e}raires}, year = {2011}, pages = {171}, school = {Universit{\'e} du Qu{\'e}bec {\`a} Montr{\'e}al}, type = {M{\'e}moire}, address = {Montr{\'e}al}, keywords = {distance, filiation, lenteur, pudeur, s{\'e}paration, transparence, v{\'e}rit{\'e}}, url = {http://www.archipel.uqam.ca/4327/1/M12222.pdf}, author = {Christine O{\textquoteright}Doherty}, editor = {Ren{\'e} Lapierre} } @book {169, title = {Renversements}, year = {2011}, pages = {161}, publisher = {Les Herbes rouges}, organization = {Les Herbes rouges}, edition = {Essai}, address = {Montr{\'e}al}, author = {Ren{\'e} Lapierre} } @mastersthesis {197, title = {Stand by}, volume = {D{\'e}partement d{\textquoteright}{\'e}tudes litt{\'e}raires}, year = {2011}, pages = {116}, school = {Universit{\'e} du Qu{\'e}bec {\`a} Montr{\'e}al}, type = {M{\'e}moire}, address = {Montr{\'e}al}, keywords = {amour, corps, cr{\'e}ation litt{\'e}raire, fatigue, filiation, p{\`e}re, voix}, url = {http://www.archipel.uqam.ca/5186/1/M11936.pdf}, author = {Val{\'e}rie Bourdon}, editor = {Ren{\'e} Lapierre} } @mastersthesis {200, title = {Autobiographies suivi de Les g{\'e}nies de la lampe}, volume = {D{\'e}partement d{\textquoteright}{\'e}tudes litt{\'e}raires}, year = {2010}, pages = {135}, school = {Universit{\'e} du Qu{\'e}bec {\`a} Montr{\'e}al}, type = {M{\'e}moire}, address = {Montr{\'e}al}, keywords = {alt{\'e}rit{\'e}, amour, cr{\'e}ation, d{\'e}sir, imagination, libert{\'e}, manque, pouvoir, puissance, r{\'e}el, volont{\'e}}, url = {http://www.archipel.uqam.ca/3146/1/M11455.pdf}, author = {Fran{\c c}oise Picard Cloutier}, editor = {Ren{\'e} Lapierre} } @mastersthesis {199, title = {{\'E}tait une b{\^e}te suivi de Territoires}, volume = {D{\'e}partement d{\textquoteright}{\'e}tudes litt{\'e}raires}, year = {2010}, pages = {112}, school = {Universit{\'e} du Qu{\'e}bec {\`a} Montr{\'e}al}, type = {M{\'e}moire}, address = {Montr{\'e}al}, keywords = {corps, dialogue, limites, parole, scission, subjectivit{\'e}, territoires}, url = {http://www.archipel.uqam.ca/3893/1/M11572.pdf}, author = {Laurance Ouellet Tremblay}, editor = {Ren{\'e} Lapierre} } @book {23, title = {L{\textquoteright}atelier de l{\textquoteright}{\'e}crivain 2}, volume = {25}, year = {2010}, pages = {219}, publisher = {Figura: Centre de recherche sur le texte et l{\textquoteright}imaginaire}, organization = {Figura: Centre de recherche sur le texte et l{\textquoteright}imaginaire}, edition = {Figura}, address = {Montr{\'e}al}, url = {http://oic.uqam.ca/fr/system/files/garde/51762/documents/latelier_de_lecrivain_2.pdf}, author = {Denise Brassard and Andr{\'e} Carpentier and Louise Dupr{\'e} and Ren{\'e} Lapierre} } @mastersthesis {198, title = {Une grappe de lilas suivi de La crypte cass{\'e}e}, volume = {D{\'e}partement d{\textquoteright}{\'e}tudes litt{\'e}raires}, year = {2010}, pages = {159}, school = {Universit{\'e} du Qu{\'e}bec {\`a} Montr{\'e}al}, type = {M{\'e}moire}, address = {Montr{\'e}al}, keywords = {corps, crypte, {\'e}criture, fissure, fragment, maladie, mosa{\"\i}que, recomposition, r{\'e}silience, survivance, t{\'e}moignage, trauma}, url = {http://www.archipel.uqam.ca/2917/1/M11362.pdf}, author = {Annyck Martin}, editor = {Ren{\'e} Lapierre} } @mastersthesis {201, title = {La mort dans son murmure suivi de Fragments de la voix : essai de composition}, volume = {D{\'e}partement d{\textquoteright}{\'e}tudes litt{\'e}raires}, year = {2009}, pages = {91}, school = {Universit{\'e} du Qu{\'e}bec {\`a} Montr{\'e}al}, type = {M{\'e}moire}, address = {Montr{\'e}al}, keywords = {chant, corps, cri, deuil, femme, m{\`e}re, mort, silence, souffle, sujet, voix}, url = {http://www.archipel.uqam.ca/2524/1/M11092.pdf}, author = {Bernadette Carrier}, editor = {Ren{\'e} Lapierre} } @mastersthesis {202, title = {Seule avec suivi de Allant vers}, volume = {D{\'e}partement d{\textquoteright}{\'e}tudes litt{\'e}raires}, year = {2009}, pages = {139}, school = {Universit{\'e} du Qu{\'e}bec {\`a} Montr{\'e}al}, type = {M{\'e}moire}, address = {Montr{\'e}al}, keywords = {alt{\'e}rit{\'e}, corps, mouvement, rencontre, seuil, voyage}, url = {http://www.archipel.uqam.ca/2375/1/M10876.pdf}, author = {Julie Tremblay}, editor = {Ren{\'e} Lapierre} } @mastersthesis {203, title = {Un album de temps suivi de Se souvenir des visages}, volume = {D{\'e}partement d{\textquoteright}{\'e}tudes litt{\'e}raires}, year = {2009}, pages = {108}, school = {Universit{\'e} du Qu{\'e}bec {\`a} Montr{\'e}al}, type = {M{\'e}moire}, address = {Montr{\'e}al}, keywords = {confiance, identit{\'e}, photographie, po{\`e}me en prose, solitude, temps, visage}, url = {http://www.archipel.uqam.ca/2322/1/M11023.pdf}, author = {Aim{\'e}e Verret}, editor = {Ren{\'e} Lapierre} } @mastersthesis {205, title = {Cellule esperanza suivi de Terre astre-nous}, volume = {Ma{\^\i}trise en {\'e}tudes litt{\'e}raires}, year = {2008}, pages = {114}, school = {Universit{\'e} du Qu{\'e}bec {\`a} Montr{\'e}al}, type = {M{\'e}moire}, address = {Montr{\'e}al}, keywords = {empathie, engagement, espoir, {\'e}thique, inqui{\'e}tude, po{\'e}sie, politique, vigilence}, url = {http://www.archipel.uqam.ca/1009/1/M10363.pdf}, author = {Danny Plourde}, editor = {Ren{\'e} Lapierre} } @mastersthesis {204, title = {Coma suivi de {\'E}criture et incarnation}, volume = {Ma{\^\i}trise en {\'e}tudes litt{\'e}raires}, year = {2008}, pages = {146}, school = {Universit{\'e} du Qu{\'e}bec {\`a} Montr{\'e}al}, type = {M{\'e}moire}, address = {Montr{\'e}al}, keywords = {amenuisement, {\'e}criture, improvisation, incarnation, m{\'e}ditation, personnage, voyage}, url = {http://www.archipel.uqam.ca/1736/1/M10644.pdf}, author = {Fran{\c c}ois Gilbert}, editor = {Ren{\'e} Lapierre} } @book {171, title = {Trait{\'e} de physique}, year = {2008}, pages = {145}, publisher = {Les Herbes rouges}, organization = {Les Herbes rouges}, address = {Montr{\'e}al}, author = {Ren{\'e} Lapierre} } @mastersthesis {884, title = {Emb{\^a}cle}, volume = {D{\'e}partement d{\textquoteright}{\'e}tudes litt{\'e}raires}, year = {2007}, school = {Universit{\'e} du Qu{\'e}bec {\`a} Montr{\'e}al}, type = {M{\'e}moire}, address = {Montr{\'e}al}, keywords = {arm{\'e}nie, {\'e}criture, fusion, g{\'e}nocide, m{\`e}re, voix}, author = {Martine Batanian}, editor = {Ren{\'e} Lapierre} } @mastersthesis {207, title = {Halte suivi de Clairi{\`e}re}, volume = {Ma{\^\i}trise en {\'e}tudes litt{\'e}raires}, year = {2006}, pages = {131}, school = {Universit{\'e} du Qu{\'e}bec {\`a} Montr{\'e}al}, type = {M{\'e}moire}, address = {Montr{\'e}al}, keywords = {communication, cr{\'e}ation litt{\'e}raire, d{\'e}sir, identit{\'e}}, url = {http://www.archipel.uqam.ca/2865/1/M9355.pdf}, author = {V{\'e}ronique Cyr}, editor = {Ren{\'e} Lapierre} } @book {172, title = {L{\textquoteright}eau de Kiev}, year = {2006}, pages = {151}, publisher = {Les Herbes rouges}, organization = {Les Herbes rouges}, address = {Montr{\'e}al}, author = {Ren{\'e} Lapierre} } @mastersthesis {206, title = {L{\textquoteright}incident se r{\'e}p{\`e}te suivi de Cin{\'e}-roman obtura}, volume = {Ma{\^\i}trise en {\'e}tudes litt{\'e}raires}, year = {2006}, pages = {123}, school = {Universit{\'e} du Qu{\'e}bec {\`a} Montr{\'e}al}, type = {M{\'e}moire}, address = {Montr{\'e}al}, keywords = {corps, fusion, image, installation-projection, interm{\'e}dialit{\'e}, regard, r{\'e}p{\'e}tition}, url = {http://www.archipel.uqam.ca/1734/1/M9234.pdf}, author = {Genevi{\`e}ve Blais}, editor = {Ren{\'e} Lapierre} } @mastersthesis {209, title = {Qui s{\textquoteright}installe ? suivi de Le quotidien interrompu}, volume = {Ma{\^\i}trise en {\'e}tudes litt{\'e}raires}, year = {2006}, pages = {121}, school = {Universit{\'e} du Qu{\'e}bec {\`a} Montr{\'e}al}, type = {M{\'e}moire}, address = {Montr{\'e}al}, keywords = {d{\'e}ambulation, dessaisissement, {\'e}criture, errance, immigration, mort, po{\'e}sie}, url = {http://www.archipel.uqam.ca/3508/1/M9559.pdf}, author = {Hector Ruiz}, editor = {Ren{\'e} Lapierre} } @mastersthesis {321, title = {Le seuil et le passage : l{\textquoteright}{\'e}criture de l{\textquoteright}ombre}, volume = {Ma{\^\i}trise en {\'e}tudes litt{\'e}raires}, year = {2005}, pages = {107}, school = {Universit{\'e} du Qu{\'e}bec {\`a} Montr{\'e}al}, type = {M{\'e}moire}, address = {Montr{\'e}al}, keywords = {attente, cr{\'e}ation litt{\'e}raire, livre inachev{\'e}}, author = {Catherine Elliott-Ledoux}, editor = {Ren{\'e} Lapierre} } @mastersthesis {861, title = {Une tonne d{\textquoteright}air suivi de Le d{\'e}filement}, volume = {D{\'e}partement d{\textquoteright}{\'e}tudes litt{\'e}raires}, year = {2004}, school = {Universit{\'e} du Qu{\'e}bec {\`a} Montr{\'e}al}, type = {M{\'e}moire}, address = {Montr{\'e}al}, keywords = {attente, cr{\'e}ation litt{\'e}raire, paysage, solitude}, author = {Maude Smith Gagnon}, editor = {Ren{\'e} Lapierre} } @mastersthesis {328, title = {Vacarmes suivi de Et ce fant{\^o}me}, volume = {Ma{\^\i}trise en {\'e}tudes litt{\'e}raires}, year = {2004}, pages = {141}, school = {Universit{\'e} du Qu{\'e}bec {\`a} Montr{\'e}al}, type = {M{\'e}moire}, address = {Montr{\'e}al}, keywords = {cr{\'e}ation litt{\'e}raire, po{\'e}sie}, author = {Ren{\'e}e Gagnon}, editor = {Ren{\'e} Lapierre} } @mastersthesis {343, title = {Carnet de danse suivi de Ici, debout {\`a} la fen{\^e}tre}, volume = {Ma{\^\i}trise en {\'e}tudes litt{\'e}raires}, year = {2003}, pages = {80}, school = {Universit{\'e} du Qu{\'e}bec {\`a} Montr{\'e}al}, type = {M{\'e}moire}, address = {Montr{\'e}al}, keywords = {corps humain, cr{\'e}ation litt{\'e}raire, danse, deuil, espace, identit{\'e}, naissance}, author = {Myl{\`e}ne Slogar}, editor = {Ren{\'e} Lapierre} } @book {173, title = {L{\textquoteright}Atelier vide}, year = {2003}, pages = {149}, publisher = {Les Herbes rouges}, organization = {Les Herbes rouges}, address = {Montr{\'e}al}, author = {Ren{\'e} Lapierre} } @mastersthesis {342, title = {La marche en for{\^e}t}, volume = {Ma{\^\i}trise en {\'e}tudes litt{\'e}raires}, year = {2003}, pages = {80}, school = {Universit{\'e} du Qu{\'e}bec {\`a} Montr{\'e}al}, type = {M{\'e}moire}, address = {Montr{\'e}al}, keywords = {cr{\'e}ation litt{\'e}raire}, author = {Dyane Raymond}, editor = {Ren{\'e} Lapierre} } @book {174, title = {Figures de l{\textquoteright}abandon}, year = {2002}, pages = {97}, publisher = {Les Herbes rouges}, organization = {Les Herbes rouges}, address = {Montr{\'e}al}, author = {Ren{\'e} Lapierre} } @mastersthesis {347, title = {La travers{\'e}e de l{\textquoteright}oubli}, volume = {Ma{\^\i}trise en {\'e}tudes litt{\'e}raires}, year = {2002}, pages = {91}, school = {Universit{\'e} du Qu{\'e}bec {\`a} Montr{\'e}al}, type = {M{\'e}moire}, address = {Montr{\'e}al}, keywords = {cr{\'e}ation litt{\'e}raire}, author = {Nicole Jaouich}, editor = {Ren{\'e} Lapierre} } @mastersthesis {348, title = {Le souffleur de verre suivi de {\'E}cris-moi en bleu}, volume = {Ma{\^\i}trise en {\'e}tudes litt{\'e}raires}, year = {2002}, pages = {134}, school = {Universit{\'e} du Qu{\'e}bec {\`a} Montr{\'e}al}, type = {M{\'e}moire}, address = {Montr{\'e}al}, keywords = {cr{\'e}ation litt{\'e}raire}, author = {Sophie-Luce Morin}, editor = {Ren{\'e} Lapierre} } @mastersthesis {357, title = {Je ne devrais pas voir}, volume = {Ma{\^\i}trise en {\'e}tudes litt{\'e}raires}, year = {2001}, pages = {119}, school = {Universit{\'e} du Qu{\'e}bec {\`a} Montr{\'e}al}, type = {M{\'e}moire}, address = {Montr{\'e}al}, keywords = {corps humain, cr{\'e}ation litt{\'e}raire}, author = {Karine Hubert}, editor = {Ren{\'e} Lapierre} } @book {175, title = {L{\textquoteright}entretien du d{\'e}sespoir : essai sur l{\textquoteright}affolement}, year = {2001}, pages = {106}, publisher = {Les Herbes rouges}, organization = {Les Herbes rouges}, address = {Montr{\'e}al}, author = {Ren{\'e} Lapierre} } @mastersthesis {353, title = {La terre suspendue, po{\`e}mes suivi de Tiens?}, volume = {Ma{\^\i}trise en {\'e}tudes litt{\'e}raires}, year = {2001}, pages = {139}, school = {Universit{\'e} du Qu{\'e}bec {\`a} Montr{\'e}al}, type = {M{\'e}moire}, address = {Montr{\'e}al}, keywords = {cr{\'e}ation litt{\'e}raire, po{\'e}sie}, author = {Lucie B{\'e}langer}, editor = {Ren{\'e} Lapierre} } @book {176, title = {Piano}, year = {2001}, pages = {100}, publisher = {Les Herbes rouges}, organization = {Les Herbes rouges}, address = {Montr{\'e}al}, author = {Ren{\'e} Lapierre} } @mastersthesis {376, title = {Le portrait crach{\'e} de mon p{\`e}re : r{\'e}cit}, volume = {Ma{\^\i}trise en {\'e}tudes litt{\'e}raires}, year = {2000}, pages = {86}, school = {Universit{\'e} du Qu{\'e}bec {\`a} Montr{\'e}al}, type = {M{\'e}moire}, address = {Montr{\'e}al}, keywords = {autobiographie, cr{\'e}ation litt{\'e}raire, p{\`e}re, toxicomane, toxicomanie, violence familiale}, author = {Jean-S{\'e}bastien Huot}, editor = {Ren{\'e} Lapierre} } @mastersthesis {385, title = {M{\'e}ditations pour po{\`e}mes actuels suivi d{\textquoteright}Albums}, volume = {Ma{\^\i}trise en {\'e}tudes litt{\'e}raires}, year = {2000}, pages = {160}, school = {Universit{\'e} du Qu{\'e}bec {\`a} Montr{\'e}al}, type = {M{\'e}moire}, address = {Montr{\'e}al}, keywords = {aspect philosophique, cr{\'e}ation litt{\'e}raire, esth{\'e}tique litt{\'e}raire, m{\'e}ditation, po{\'e}sie, spiritualit{\'e}}, author = {Dominique Robert}, editor = {Ren{\'e} Lapierre} } @mastersthesis {839, title = {Ada regardait vers nulle part}, volume = {D{\'e}partement d{\textquoteright}{\'e}tudes litt{\'e}raires}, year = {1999}, school = {Universit{\'e} du Qu{\'e}bec {\`a} Montr{\'e}al}, type = {M{\'e}moire}, address = {Montr{\'e}al}, keywords = {cr{\'e}ation litt{\'e}raire, {\'e}thique, m{\'e}lancolie, tragique, vie quotidienne}, author = {Luc Larochelle}, editor = {Ren{\'e} Lapierre} } @mastersthesis {809, title = {Je ne savais pas alors que c{\textquoteright}est toi que j{\textquoteright}aimerais}, volume = {D{\'e}partement d{\textquoteright}{\'e}tudes litt{\'e}raires}, year = {1999}, school = {Universit{\'e} du Qu{\'e}bec {\`a} Montr{\'e}al}, type = {M{\'e}moire}, address = {Montr{\'e}al}, keywords = {cr{\'e}ation litt{\'e}raire, nouvelle, temps}, author = {Sylvie Dion}, editor = {Ren{\'e} Lapierre} } @mastersthesis {810, title = {Les jours blancs suivi de Silences}, volume = {D{\'e}partement d{\textquoteright}{\'e}tudes litt{\'e}raires}, year = {1999}, school = {Universit{\'e} du Qu{\'e}bec {\`a} Montr{\'e}al}, type = {M{\'e}moire}, address = {Montr{\'e}al}, keywords = {cr{\'e}ation litt{\'e}raire, photographie, po{\'e}sie}, author = {Annie Dulong}, editor = {Ren{\'e} Lapierre} } @mastersthesis {832, title = {Seuls ici}, volume = {D{\'e}partement d{\textquoteright}{\'e}tudes litt{\'e}raires}, year = {1999}, school = {Universit{\'e} du Qu{\'e}bec {\`a} Montr{\'e}al}, type = {M{\'e}moire}, address = {Montr{\'e}al}, keywords = {cr{\'e}ation litt{\'e}raire, faits divers, monologue int{\'e}rieur}, author = {Johanne Jarry}, editor = {Ren{\'e} Lapierre} } @mastersthesis {811, title = {Une feuille, seulement}, volume = {D{\'e}partement d{\textquoteright}{\'e}tudes litt{\'e}raires}, year = {1999}, school = {Universit{\'e} du Qu{\'e}bec {\`a} Montr{\'e}al}, type = {M{\'e}moire}, address = {Montr{\'e}al}, keywords = {cr{\'e}ation litt{\'e}raire}, author = {Nathalie Dupont}, editor = {Ren{\'e} Lapierre} } @mastersthesis {823, title = {Vingt-quatre poses portraits de m{\'e}moire}, volume = {D{\'e}partement d{\textquoteright}{\'e}tudes litt{\'e}raires}, year = {1999}, school = {Universit{\'e} du Qu{\'e}bec {\`a} Montr{\'e}al}, type = {M{\'e}moire}, address = {Montr{\'e}al}, keywords = {biographie, cr{\'e}ation litt{\'e}raire, image, photographie, portrait}, author = {Annie Gaudreau}, editor = {Ren{\'e} Lapierre} } @book {177, title = {Love and sorrow}, year = {1998}, pages = {72}, publisher = {Les Herbes rouges}, organization = {Les Herbes rouges}, address = {Montr{\'e}al}, author = {Ren{\'e} Lapierre} } @mastersthesis {808, title = {Le fianc{\'e} imaginaire roman et dossier d{\textquoteright}accompagnement}, volume = {D{\'e}partement d{\textquoteright}{\'e}tudes litt{\'e}raires}, year = {1997}, school = {Universit{\'e} du Qu{\'e}bec {\`a} Montr{\'e}al}, type = {M{\'e}moire}, address = {Montr{\'e}al}, keywords = {amour, communication {\'e}crite, discours, {\'e}thique, {\'e}tudes sur les femmes, inconscient}, author = {Lise Daoust}, editor = {Ren{\'e} Lapierre} } @mastersthesis {784, title = {No Man{\textquoteright}s Land accompagn{\'e} de Journal de Djakarta}, volume = {D{\'e}partement d{\textquoteright}{\'e}tudes litt{\'e}raires}, year = {1997}, school = {Universit{\'e} du Qu{\'e}bec {\`a} Montr{\'e}al}, type = {M{\'e}moire}, address = {Montr{\'e}al}, keywords = {land, man, man{\textquoteright}s, no, no man{\textquoteright}s land}, author = {Michelle Allen}, editor = {Ren{\'e} Lapierre} } @book {178, title = {Fais-moi mal, Sarah}, year = {1996}, pages = {61}, publisher = {Les Herbes rouges}, organization = {Les Herbes rouges}, address = {Montr{\'e}al}, author = {Ren{\'e} Lapierre} } @book {179, title = {Viendras-tu avec moi?}, year = {1996}, pages = {60}, publisher = {Les Herbes rouges}, organization = {Les Herbes rouges}, address = {Montr{\'e}al}, author = {Ren{\'e} Lapierre} } @mastersthesis {859, title = {Au bout du quai}, volume = {D{\'e}partement d{\textquoteright}{\'e}tudes litt{\'e}raires}, year = {1995}, school = {Universit{\'e} du Qu{\'e}bec {\`a} Montr{\'e}al}, type = {M{\'e}moire}, address = {Montr{\'e}al}, keywords = {cr{\'e}ation litt{\'e}raire, fils, narration, relation p{\`e}re-enfant}, author = {Sylvain Robert}, editor = {Ren{\'e} Lapierre} } @book {417, title = {{\'E}crire l{\textquoteright}Am{\'e}rique}, year = {1995}, pages = {160}, publisher = {Les Herbes rouges}, organization = {Les Herbes rouges}, edition = {Essais}, address = {Montr{\'e}al}, abstract = {

R{\'e}sum{\'e} descriptif:\ 

R{\'e}dig{\'e}s entre 1979 et 1994, les essais qui composent {\'E}crire l\’Am{\'e}rique interrogent le sens et la n{\'e}cessit{\'e} de l\’{\'e}criture en regard de \«l\’Am{\'e}rique et de l\’am{\'e}ricanit{\'e} pour un {\'e}crivain qu{\'e}b{\'e}cois\» (p. 9), du travail cr{\'e}ateur et de la \«fonction de d{\'e}tachement\» (p. 9). Aussi, les r{\'e}flexions de Ren{\'e} Lapierre, rassembl{\'e}es ici \«sous la forme libre du graffiti\» (p. 9), proposent-elles une \«travers{\'e}e\» (p. 10) des lieux de l\’{\'e}crivain, \«non pas d\’est en ouest ni du nord au sud, mais vers le fond, le dedans\» (p. 10).
Dans la premi{\`e}re partie, \«Cette {\'e}trange r{\'e}gion\», elle-m{\^e}me divis{\'e}e en deux volets, \«Clart{\'e}s du paradoxe\» et \«Figures\», l\’auteur s\’attarde d\’abord {\`a} d{\'e}finir l\’attachement de l\’{\'e}crivain pour l\’Am{\'e}rique, ind{\'e}pendamment de la France et des {\'E}tats-Unis, en termes d\’\«exigence\» (p. 13), c\’est-{\`a}-dire libre de tout objet et de toute th{\'e}matique et \«plut{\^o}t en termes de r{\'e}sonance que d\’appartenance\» (p. 16). Ouvrant ensuite le second volet par des lectures de Raymond Carver, de Jacob Isaac Segal ou d\’Elizabeth Smart, l\’auteur r{\'e}fl{\'e}chit sur l\’{\'e}criture {\`a} travers les diff{\'e}rents paradoxes qui habitent l\’{\'e}crivain et d{\'e}finissent son territoire : le m{\^e}me et l\’autre, la langue, la voix, la culture et le d{\'e}centrement. Selon lui, l\’{\'e}crivain doit \«donner du champ {\`a} sa conscience am{\'e}ricaine [afin d\’{\^e}tre] capable d\’int{\'e}grer, d\’articuler l\’h{\'e}t{\'e}rog{\`e}ne\» (p. 28 ) et \«de permettre une pens{\'e}e am{\'e}ricaine du sol, du r{\'e}el\» (p. 30).
La seconde partie, \«La voix du dedans\», p{\'e}n{\`e}tre quant {\`a} elle plus profond{\'e}ment encore les lieux de l\’{\'e}criture et la question du travail cr{\'e}ateur en rapport avec quelque chose qui, pour Lapierre, rel{\`e}ve d\’une v{\'e}ritable {\'e}thique du renoncement : \«Il ne me reste qu\’une voix, qui m\’habite si profond{\'e}ment que je ne la reconnais m{\^e}me pas quand je l\’entends.\» (p. 159)
(Aucun r{\'e}sum{\'e} interpr{\'e}tatif)
Source : Interligne - UQ{\`A}M (http://www.interligne.uqam.ca/pages/liste_biblio.asp)
}, author = {Ren{\'e} Lapierre} } @mastersthesis {758, title = {L{\textquoteright}ambition du vide}, volume = {D{\'e}partement d{\textquoteright}{\'e}tudes litt{\'e}raires}, year = {1995}, pages = {89}, school = {Universit{\'e} du Qu{\'e}bec {\`a} Montr{\'e}al}, type = {M{\'e}moire}, address = {Montr{\'e}al}, keywords = {cr{\'e}ation litt{\'e}raire}, author = {Patrick Lafontaine}, editor = {Ren{\'e} Lapierre} } @book {181, title = {Dans l{\textquoteright}{\'e}criture}, year = {1994}, pages = {113}, publisher = {XYZ}, organization = {XYZ}, address = {Montr{\'e}al}, author = {Ren{\'e} Lapierre and Paul B{\'e}langer and Jo{\"e}l Pourbaix and Louise Lachapelle} } @book {182, title = {L{\`a}-bas c{\textquoteright}est d{\'e}j{\`a} demain}, year = {1994}, pages = {69}, publisher = {Les Herbes rouges}, organization = {Les Herbes rouges}, address = {Montr{\'e}al}, author = {Ren{\'e} Lapierre} } @mastersthesis {837, title = {Les ann{\'e}es ormes ou La m{\'e}moire des lisi{\`e}res}, volume = {D{\'e}partement d{\textquoteright}{\'e}tudes litt{\'e}raires}, year = {1994}, school = {Universit{\'e} du Qu{\'e}bec {\`a} Montr{\'e}al}, type = {M{\'e}moire}, address = {Montr{\'e}al}, keywords = {cr{\'e}ation litt{\'e}raire, espace, paysage}, author = {Suzanne Lafontaine}, editor = {Ren{\'e} Lapierre} } @mastersthesis {866, title = {L{\textquoteright}{\'e}troit mus{\'e}e des choses}, volume = {D{\'e}partement d{\textquoteright}{\'e}tudes litt{\'e}raires}, year = {1994}, school = {Universit{\'e} du Qu{\'e}bec {\`a} Montr{\'e}al}, type = {M{\'e}moire}, address = {Montr{\'e}al}, keywords = {cr{\'e}ation litt{\'e}raire}, author = {Dany Tremblay}, editor = {Ren{\'e} Lapierre} } @mastersthesis {829, title = {Prologue ou la mise en sc{\`e}ne du r{\'e}cit}, volume = {D{\'e}partement d{\textquoteright}{\'e}tudes litt{\'e}raires}, year = {1994}, school = {Universit{\'e} du Qu{\'e}bec {\`a} Montr{\'e}al}, type = {M{\'e}moire}, address = {Montr{\'e}al}, keywords = {narration, prologue}, author = {Sonia Grenon}, editor = {Ren{\'e} Lapierre} } @mastersthesis {858, title = {Souvenir de mauve}, volume = {D{\'e}partement d{\textquoteright}{\'e}tudes litt{\'e}raires}, year = {1994}, school = {Universit{\'e} du Qu{\'e}bec {\`a} Montr{\'e}al}, type = {M{\'e}moire}, address = {Montr{\'e}al}, keywords = {cr{\'e}ation litt{\'e}raire, psychose}, author = {Linda Riffon}, editor = {Ren{\'e} Lapierre} } @mastersthesis {831, title = {Domicile involontaire}, volume = {D{\'e}partement d{\textquoteright}{\'e}tudes litt{\'e}raires}, year = {1993}, school = {Universit{\'e} du Qu{\'e}bec {\`a} Montr{\'e}al}, type = {M{\'e}moire}, address = {Montr{\'e}al}, keywords = {cr{\'e}ation, {\'e}criture, litt{\'e}raire, m{\'e}canisme, romanesque}, author = {Claude Hurtubise}, editor = {Ren{\'e} Lapierre} } @mastersthesis {754, title = {M{\'e}morial creux}, volume = {D{\'e}partement d{\textquoteright}{\'e}tudes litt{\'e}raires}, year = {1992}, pages = {125}, school = {Universit{\'e} du Qu{\'e}bec {\`a} Montr{\'e}al}, type = {M{\'e}moire}, address = {Montr{\'e}al}, keywords = {{\'e}criture litt{\'e}raire, po{\'e}sie, temps}, author = {Paul B{\'e}langer}, editor = {Ren{\'e} Lapierre} } @mastersthesis {802, title = {Vu et pas vu}, volume = {D{\'e}partement d{\textquoteright}{\'e}tudes litt{\'e}raires}, year = {1992}, school = {Universit{\'e} du Qu{\'e}bec {\`a} Montr{\'e}al}, type = {M{\'e}moire}, address = {Montr{\'e}al}, keywords = {nouvelle, prose}, author = {Pierre Catani}, editor = {Ren{\'e} Lapierre} } @book {183, title = {Effacement}, year = {1991}, pages = {85}, publisher = {L{\textquoteright}Hexagone}, organization = {L{\textquoteright}Hexagone}, address = {Montr{\'e}al}, author = {Ren{\'e} Lapierre} } @mastersthesis {830, title = {Les inquiets}, volume = {D{\'e}partement d{\textquoteright}{\'e}tudes litt{\'e}raires}, year = {1991}, school = {Universit{\'e} du Qu{\'e}bec {\`a} Montr{\'e}al}, type = {M{\'e}moire}, address = {Montr{\'e}al}, keywords = {{\'e}criture, fragmentaire}, author = {Charles Guilbert}, editor = {Ren{\'e} Lapierre} } @book {184, title = {L{\textquoteright}imaginaire captif: Hubert Aquin}, year = {1991}, pages = {231}, publisher = {L{\textquoteright}Hexagone}, organization = {L{\textquoteright}Hexagone}, address = {Montr{\'e}al}, author = {Ren{\'e} Lapierre} } @mastersthesis {857, title = {Rupture au bord de l{\textquoteright}existence}, volume = {D{\'e}partement d{\textquoteright}{\'e}tudes litt{\'e}raires}, year = {1991}, school = {Universit{\'e} du Qu{\'e}bec {\`a} Montr{\'e}al}, type = {M{\'e}moire}, address = {Montr{\'e}al}, keywords = {cr{\'e}ation, {\'e}criture, litt{\'e}raire, processus}, author = {Nicole Richard}, editor = {Ren{\'e} Lapierre} } @book {185, title = {Une encre s{\'e}pia}, year = {1990}, pages = {81}, publisher = {L{\textquoteright}Hexagone}, organization = {L{\textquoteright}Hexagone}, address = {Montr{\'e}al}, author = {Ren{\'e} Lapierre} } @mastersthesis {852, title = {Pr{\'e}cipitations}, volume = {D{\'e}partement d{\textquoteright}{\'e}tudes litt{\'e}raires}, year = {1988}, school = {Universit{\'e} du Qu{\'e}bec {\`a} Montr{\'e}al}, type = {M{\'e}moire}, address = {Montr{\'e}al}, keywords = {anthologie, d{\'e}placement, espace, prose, r{\'e}cit}, author = {Jean-Pierre Pich{\'e}}, editor = {Ren{\'e} Lapierre} } @book {186, title = {L{\textquoteright}{\'e}t{\'e} Rebecca}, year = {1985}, pages = {222}, publisher = {{\'E}ditions du Seuil}, organization = {{\'E}ditions du Seuil}, address = {Paris}, author = {Ren{\'e} Lapierre} } @mastersthesis {804, title = {Camus se detache}, volume = {D{\'e}partement d{\textquoteright}{\'e}tudes litt{\'e}raires}, year = {1984}, school = {Universit{\'e} du Qu{\'e}bec {\`a} Montr{\'e}al}, type = {M{\'e}moire}, address = {Montr{\'e}al}, author = {Jean Cloutier}, editor = {Ren{\'e} Lapierre} } @book {188, title = {Comme des mannequins}, year = {1983}, pages = {176}, publisher = {Primeur}, organization = {Primeur}, address = {Montr{\'e}al}, author = {Ren{\'e} Lapierre} } @book {187, title = {Profil de l{\textquoteright}ombre: 1976-1981}, year = {1983}, pages = {76}, publisher = {{\'E}crits des forges}, organization = {{\'E}crits des forges}, address = {Trois-Rivi{\`e}res}, author = {Ren{\'e} Lapierre} } @book {189, title = {Les Masques du r{\'e}cit : lecture de Prochain {\'e}pisode de Hubert Aquin}, year = {1980}, pages = {139}, publisher = {Hurtubise HMH}, organization = {Hurtubise HMH}, address = {Ville LaSalle}, author = {Ren{\'e} Lapierre} }